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The PlotAct OneManhattan, 1922. Millie Dillmount steps off the train from Salina, Kansas (Not for the Life of Me). Surrounded by a throng of fabulous flappers, Millie is a fish out of water, until she bobs her hair and sheds her Sunday best for a higher hemline and a hotter look (Thoroughly Modern Millie). As the number ends, Millie is mugged. She seeks help from Jimmy Smith, but all he provides is unsolicited advice for her to make a U-turn and return home (Not for the Life of Me (reprise)). A week passes, and we're at the Hotel Priscilla, where a bevy of stage struck hopefuls are starting their day. Enter Miss Dorothy, and she and Millie quickly prove that opposites attract (How the Other Half Lives). Meanwhile, in the laundry room, Mrs. Meers, the owner of the hotel, plots to kidnap Miss Dorothy. Why? Mrs. Meers runs a white slavery ring, targeting orphans whose sudden disappearance goes unnoticed, and Miss Dorothy fits the bill. Mrs. Meers barks instructions at her immigrant henchmen, Ching Ho and Bun Foo. The two brothers quarrel over Ching Ho's crisis of conscience, but Bun Foo reminds him that crime is the only career that pays well enough for them to bring their mother over from Hong Kong (Not for the Life of Me (reprise)). Later that afternoon, Millie begins her job hunt, or rather husband hunt: Millie's "modern" plan is to find work as a stenog to an eligible bachelor and wind up his wife. On her list of potential bosses/hubbies is Trevor Graydon III at the Sincere Trust Insurance Company (The Speed Test). Back at the hotel, Mrs. Meers tries to dope Miss Dorothy with a poisoned apple, but is repeatedly interrupted (They Don't Know). Millie takes the Priscilla girls out on the town to celebrate her new job, and she runs into Jimmy Smith. He gets them into a speakeasy, and though Millie is initially standoffish, they eventually join in a dance (The Nuttycracker Suite). By the time they are raided and land in jail, Jimmy reconsiders his assessment of Millie (What Do I Need with Love?). Jimmy asks Millie to a Yankees game, but she reveals her plan to marry her boss. Saving face, Jimmy pretends that his interest is platonic, suggesting that she bring Miss Dorothy along. A trio is formed for nightly excursions to Coney Island, Central Park and the glamorous penthouse of Muzzy Van Hossmere, Manhattan's most celebrated chanteuse (Only in New York). Later that night, on Muzzy's terrace, Jimmy needles Millie about her plan to marry a man who thinks of her as "a typewriter on legs." Their quarrel escalates until, unable to control himself, Jimmy kisses Millie passionately. He exits in a panic, leaving her alone to sort out her feelings (Jimmy). She returns to the Hotel Priscilla in a state of bliss, which is quickly shattered when she sees Jimmy sneaking out of Miss Dorothy's room after what appears to be a late-night tryst. Act TwoThe next morning, Millie is miserable (Back at Work). She wills herself into wasting no more time on Jimmy Smith (Forget About the Boy). Instead, she redoubles her efforts to seduce Mr. Graydon, until Miss Dorothy drops by and the two are immediately smitten (I'm Falling in Love with Someone). Jimmy appears on the window ledge outside of Millie's office, where he declares his feelings for her (I Turned the Corner). Millie, too, is falling in love, as are Mr. Graydon, Miss Dorothy and Ching Ho, whose heart has belonged to Miss Dorothy since the moment they met (I'm Falling in Love with Someone (quartet)). |
The Songs and Dance Numbers
Note that many of these songs do not appear in the movie version of Thoroughly Modern Millie.
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02 Not for the Life of Me 03 Thoroughly Modern Millie 04 Not for the Life of Me (Reprise) 05 How the Other Half Lives 06 Not for the Life of Me (Reprise) 07 The Speed Test 08 They Don't Know 10 What Do I Need With Love- 11 Only in New York 12 Jimmy |
14 Forget About the Boy 15 Ah! Sweet Mystery of Life-I'm Falling in Love With Someone (Quartet) 16 I Turned the Corner-I'm Falling in Love With Someone (Quartet-Reprise) 17 Muqin 18 Long As I'm Here With You 19 Gimme Gimme 20 Finale (Thoroughly Modern Millie) |
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| Characters | Voice Type | Description |
| Millie Dillmount | mezzo-soprano (strong voice) | A young, "modern" woman from Kansas.(age - should look early 20's) |
| Jimmy Smith | tenor or high baritone |
An attractive young paperclip salesman.(age - should look mid / late 20's) |
| Trevor Graydon | bass-baritone | Sincere Trust Insurance Co. head boss.(age - should look mid 25 to 40) |
| Miss Dorothy Brown | soprano | A new actress in town, Millie's best friend.(age - should look early 20's) |
| Mrs. Meers | alto | Evil owner of the Hotel Priscilla.(age - should look 40 to what ever) |
| Ching Ho | tenor or baritone | Chinese henchman, falls in love with Miss Dorothy.(age - should look 20 to 40 ) |
| Bun Foo | tenor or baritone | Chinese henchman, focused more on the task at hand.(age - should look20 to 40 ) |
| Muzzy van Hossmere | mezzo-soprano / alto | Singer and bon vivant, an old acquaintance of Jimmy.(age - should look 40 to what ever) |
| Miss Flannery | mezzo-soprano (strong voice) | Head stenographer at Sincere Trust.(age - should look 40 to what ever) |
| Chorus roles | All voices | We need singers and dancers of all ages - but young people (preferably over18) would be particualrly welcome |
Musicians - this show requires a full orchestra of strings, wind, brass and percussion as well as jazz band instruments (sax, guitar / banjo, piano)
Other named characters (with speaking lines)
| Ruth | The Letch |
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| Gloria | Policeman |
| Rita | George Gershwin |
| Alice | Rodney |
| Lucille | Kenneth |
| Ethel Peas | Dexter |
| The Pearl Lady | |
| Dorothy Parker | |
| Daphne | |
| Mathilde | |
| Mam | |